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A notebook of stray thoughts from your pals Cindy Hotpoint & Pinkie Von Bloom. Because we like more than just music, you know. You can reach us at elegantfaker AT gmail DOT com. We <3 you!

(To our Tumblr followers: we read you on the feed side b/c Cindy really loathes using the Tumblr interface for reading posts.)

quoteMr. Ulrich is no auction novice: in 2002 he sold five works at a Christie’s auction in New York, including Basquiat’s “Profit I” (1982), a dark canvas dominated by a skeletal black man that brought $5.5 million, a record for the artist at the time. “This is my last Basquiat,” he said.

Inside Art - Lars Ulrich, Metallica Drummer, to Sell Basquiat’s ‘Boxer’ at Christie’s - NYTimes.com

Metallica’s Lars Ulrich boots his last Basquiat at Christie’s in London.  I love Metallica.  I think Lars is a twat.  But, as evidenced in Some Kind of Monster, the man has an eye for art.  There sheer volume of major contemporary pieces he’s owned during the last decade or so is astounding…then again, the fact that anyone owns “important” art and hangs it in their home is pretty astounding to me.  I have posters…and a painting of chrysanthemums that my grandmother did in the late 60s.

POSTED Oct 10 2008 @ 16:42
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via frannyandzooey:sundaymorning:wannaplaymariella:atherdiscretion:hugo-strikes-back:       LoveForVintage
Of course I had to post this. Duh.

via frannyandzooey:sundaymorning:wannaplaymariella:atherdiscretion:hugo-strikes-back: LoveForVintage

Of course I had to post this. Duh.

POSTED Oct 10 2008 @ 16:01
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via perpetua: Marit Larsen performs “If a Song Could Get Me You” at a market in Oslo.
POSTED Oct 10 2008 @ 15:43
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quoteThere is 100 percent a move towards things that are less branded,” says Lincoln Moore, who oversees handbags at Saks Fifth Avenue. “Our business in [logoless bags by] Bottega Veneta and Nancy Gonzalez, to name a few, is very good right now. The customer is saying, ‘I don’t want to be vulgar. I don’t want to be obvious about the money that I’m spending if I am spending money.’
POSTED Oct 10 2008 @ 15:28
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POSTED Oct 10 2008 @ 13:28
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POSTED Oct 10 2008 @ 13:20
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So, as much as we would love to see The New Year and pals Tre Orsi at the Music Hall of Williamsburg tonight, due to a prior engagement, it&#8217;s probably not going to happen. You should go, however. Bring a snuggly blanket and bliss out.
The New Year, you may recall, is a huggable supergroup of 90s indie rock stalwarts: the Kadane brothers &#8212; late of one of Cindy&#8217;s old faves Bedhead &#8212; Peter Schmidt (x-Funland), Mike Donofrio (x-Saturnine), Josh McKay (x-Macha) and some dude named Chris Brokaw.
Tre Orsi features studio owner/sound engineer extraordinare Matthew Barnhart (The Echo Lab), Bryan VanDivier (South San Gabriel) and former Shearwater bassist/keyboardist/tambourine maniac Howard Draper.
But enough words &#8230;

So, as much as we would love to see The New Year and pals Tre Orsi at the Music Hall of Williamsburg tonight, due to a prior engagement, it’s probably not going to happen. You should go, however. Bring a snuggly blanket and bliss out.

The New Year, you may recall, is a huggable supergroup of 90s indie rock stalwarts: the Kadane brothers — late of one of Cindy’s old faves BedheadPeter Schmidt (x-Funland), Mike Donofrio (x-Saturnine), Josh McKay (x-Macha) and some dude named Chris Brokaw.

Tre Orsi features studio owner/sound engineer extraordinare Matthew Barnhart (The Echo Lab), Bryan VanDivier (South San Gabriel) and former Shearwater bassist/keyboardist/tambourine maniac Howard Draper.

But enough words …

POSTED Oct 10 2008 @ 13:14
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les chaussettes noires — La Leçon de twist

Once upon a time, my friend Justin and I would send each other songs that reflected the day’s mood. This morning, a Bruce Daigrepont song that he’d once sent me as a “Friday Mood” track randomly came up on my iPod and improved my morning 1000% percent; in the spirit of that old tradition, here’s the mood for today.

POSTED Oct 10 2008 @ 10:58
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(via Hilly_Blue)
For some reason, I was thinking about Cathy Moriarty as I walked to the train today. I&#8217;m not sure why, other than that I&#8217;ve been itching to watch Raging Bull recently. I really like this portrait &#8212; it&#8217;s from a 1981 issue of After Dark magazine. I try and work this expression on the train in the mornings, under my giant sunglasses.

(via Hilly_Blue)

For some reason, I was thinking about Cathy Moriarty as I walked to the train today. I’m not sure why, other than that I’ve been itching to watch Raging Bull recently. I really like this portrait — it’s from a 1981 issue of After Dark magazine. I try and work this expression on the train in the mornings, under my giant sunglasses.

POSTED Oct 10 2008 @ 10:11
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Slow Music for Fast Times
What keeps a girl going when she’s rewriting human resources materials between meetings with an IT developer and trying to track down information from a freaky accountant?  Especially when the ups and downs from her desk are too frequent to make headphones comfortable?  The WNYC New Sounds archive.  That’s what.  Modern classical, electroacoustic and experimental, with a little fruity new age, weird modern choral music, and awesome “dark ambient” (remember that genre?) thrown in for good measure, available all the way back to 1986.  Today’s self-selected programming has been mostly Steve Reich, Brian Eno, and Klaus Schultze (his imaginary soundtrack to Dune — the book — is amazing).  Now playing:  Gavin Bryars’ Medea.  This archive satisfies everything I’d like to get from Music from the Hearts of Space but am too cheap to pay for, without rude quasi-Celtic interruptions.
POSTED Oct 09 2008 @ 16:38
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